Saturday, June 2, 2007

Every Heart Lyrics

Artist:BoA
Song Description:4th Ending Song

Ikutsu namida o nagashitara
every heart
sunao ni nareru darou
Dare ni omoi tsutaetara
every heart
kokoro mita sareru no darou

nagai nagai yoru ni obieteita
Tooi hoshi ni inotteta

meguru meguru toki no naka de
Bokutachi wa ai o sagashiteiru
Tsuyoku tsuyoku naritai kara
kyou mo takaisora miageteiru

donna egao ni deaetara
every heart
yume wo fumidasereruyo
hitowa
kanashimi no mukou ni
every heart
shiawase ukabete nemuru

itsuka itsuka subete no tamashii ga
yasuraka ni nareru youni

meguru meguru toki no naka de
boku tachi wa ikite nanika wo shiru
toki ni warai shugoshi naite
kyou mo mada aruki tsuzukete iku

osanai kioku no kata sumi ni
atatakai basho ga aru soushi
hoshi tachi ga hanasu mirai ga
itsumo kagayaite ita
so shine

meguru meguru toki no naka de
Bokutachi wa ai o sagashiteiru
Tsuyoku tsuyoku naritai kara
kyou mo takaisora miageteiru

meguru meguru toki no naka de
boku tachi wa ikite nanika wo shiru
toki ni warai shugoshi naite
kyou mo mada aruki tsuzukete iku

Saturday, May 26, 2007

Anime music video

An anime music video (abbreviated AMV) is a music video consisting of clips from one or more anime television series or movies set to songs; the term usually refers to fan-made unofficial videos. Most are not official music videos released by the musicians, but rather amateur fan compositions which synchronize clips with a musical track. As such, they are most commonly informally released, often over the Internet. Anime conventions frequently run AMV contests or AMV exhibitions. While AMVs traditionally use footage taken from anime, video game footage is also a popular option.[1]. Parallels can be drawn between AMVs and Songvids, non-animated fan-made videos using footage from movies, television series, or other sources.
AMVs should not be confused with professional and original animated films produced as music videos for such groups as Daft Punk, or with such short music video films as Japanese musical duo Chage and Aska's song "On Your Mark" by Studio Ghibli.

Influence on Western animation

Anime-influenced animation refers to non-Japanese works of animation that emulate the visual style of anime. Though most of these works are created by and primarily shown in the United States, many also involve production studios from Europe and non-Japanese Asia. These generally adapted anime stylizations and anime methods described in anime physics into their own. Such examples exist in Totally Spies!, The Boondocks, W.I.T.C.H. and Megas XLR. In addition, works such as Avatar: The Last Airbender features Asian themes. While these examples are not considered anime by the fanbase majority, they are best noted for being "influenced by anime".

Fansubs

Although it is a violation of copyright laws in many countries, some fans watch fansubs, recordings of anime series that have been subtitled by fans. Watching subtitled Japanese versions, though not necessarily downloaded fansubs, is seen by many enthusiasts as the preferred method of watching anime. The ethical implications of producing, distributing, or watching fansubs are topics of much controversy even when fansub groups do not profit from their activities and cease distribution of their work once the series has been licensed outside of Japan.

Licensing

Anime is available outside of Japan in localized form. Licensed anime is modified by distributors through dubbing into the language of the country. The anime may also be edited to alter cultural references that may not be understood by a non-Japanese person and certain companies may remove what may be perceived as objectionable content. This process was far more common in the past (e.g. One Piece), when anime was largely unheard of in the west, but its use has declined in recent years because of the demand for anime in its original form. This "light touch" approach to localization has proved popular with fans as well as viewers formerly unfamiliar with anime. The popularity of such methods is evident by the success of Naruto and Cartoon Network's Adult Swim programming block, both of which employ minor edits. The "light touch" approach also applies to DVD releases as they often include both the dubbed audio and the original Japanese audio with subtitles, are typically unedited. Anime edited for television is usually released on DVD "uncut," with all scenes intact.
Anime has also been a commercial success in Asia, Europe and Latin America, where anime has become even more mainstream than in the United States. For example, the Saint Seiya video game was released in Europe due to the popularity of the show even years after the series has been off-air.

Commercial appeal

Anime has become commercially profitable in western countries as early commercially successful western adaptations of anime, such as Astro Boy, have revealed.[11] The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise[12] was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day.

Current reception in the United States

AnimeNation’s John Oppliger had this to say on the matter:
The support for anime among American anime fans is very strong. The availability of anime in America is truly impressive, especially within the anime fan community. Awareness of Japanese animation in America is at an all time high. However, mainstream acceptance of anime in America lags far behind the advances anime has made in other respects. A close examination of the support for anime on American television may provide a revealing and realistic gauge of the actual penetration of anime into America and American culture. Anime may seem like it's tremendously successful in America because its high profile, but the facts tell another story.
According to AC Nielsen, Pixar's The Incredibles sold 16 million copies on DVD in America last year. Shark Tale sold nearly 10 million copies. Even the DVD release of Bambi sold 6 million copies in 2005. In comparison, all four Inuyasha movies combined have sold just over 1 million copies in the past year and a half. Evidently, the success of anime in America is very relative. American anime fans are very devoted. Through underground means hardcore American fans now have access to brand new Japanese anime before even many Japanese residents do. America's anime fan community is influential because it's affluent, intelligent, and motivated; but it's not very large.[10]
—20px, 20px
Despite assessments like that, and its rare and limited release in American theaters, anime's legitimacy and respect in North America has grown well enough to garner major native artistic awards such as the Academy Award for Best Animated Feature in 2002 for Spirited Away by Hayao Miyazaki. Anime has a dedicated fan following in English speaking countries, particularly active on the internet, and at conventions regularly held throughout the US and UK.